The Nite Time is the Right Time

 

In the mid-90’s, around the age of 10, my bedtime was 9:00. The rules were simple:

  1. Be in bed by 9:00.
  2. Turn the TV or Radio off by 10:00.

Most nights I would go to bed, turn on the radio, you know, to make sure Hootie wasn’t playing, then watch whatever concert PBS was showing to try to raise money. I remember lots of musicals (Cats and Les Mis, which is the most boring thing to “watch” on television) and a ridiculous amount of Celtic Dancing. I looked forward to 90 minutes of television each week, not counting Braves games. Tuesdays I got to watch The Simpsons and Martin back to back. Wednesdays it was 30 minutes of the oft forgotten Parker Lewis Can’t Lose. 10 year old me thought the best thing for T.V. shows to do was to just give up. Parker Lewis would eventually lose and we should all stop trying to make sitcoms after that. Let me tell you. What a time to be alive.

Then we got cable.

I thought Nickelodeon might be a trick. “Why would they make a channel for kids? I don’t even have monies. I have to beg for action figures and baseball cards and I was only allowed to get ones from the bargain bin and $1 shelf, respectively. Why would Ted Turner (the man behind every moving picture in 1995 TJ’s head) make an entire channel for me? THIS IS GONNA BE THE GREATEST THING EVER.

Quick backstory of my life here. If you’re the one person reading this who doesn’t know me, I’m huge. A big guy. And I have always been a big guy. I was the tallest in my class pretty much every year until I got to High School. I was also a scaredy cat. I didn’t like (and still don’t) many horror movies. My brothers made me watch the Leprechaun one night as a payment of sorts to get to hang out with them. I watched the movie, walked downstairs where my brothers shared what I thought was what a honeymoon suite would look like, and proceeded to ask them about all the ways I could defend myself when the leprechaun would inevitably attack. I set a trap outside my room at one point. I even tried to force reason into the 70’s sci-fi horror flick Night of the Lepus. This is the movie, in case you missed it somehow, that pits humans against giant, man-eating rabbits. “Mommy, those rabbits aren’t mean, right? They just eat bugs, and since they’re big, they think the people are bugs. They can’t help it. Right, Mommy? RIGHT?!?!!” She agreed. I was the kid who was too big to ride the caterpillar roller coaster but too scared to ride the Cyclone. ANYWAYS – This Nickelodeon channel which I was supposed to love was HORRIBLE.

I hated cartoons. I hated superheroes. I hated shows that taught me how to do math I learned seven years prior. These shows were for babies. I’d literally rather watch Celtic dancing. Aside from reruns of Doug and Ren & Stimpy, I was not down. This was like telling me there’s unlimited Ice Cream in the freezer, but turns out its lemon frozen yogurt. You aren’t lying, but I still hate you.

 

So, one Tuesday, after wrapping up another “greatest hour of moving pictures” ever (I mean really, how did Homer get away with that and can you believe Martin said that…ON THE RADIO?) I wandered to bed, checked to make sure “Only Wanna Be With You” wasn’t on the radio, and flicked on the T.V.

I am immediately bobbing my head. I dance back to my bead and crawl in. This was it. This changed weeknights for the next, oh, year maybe? I found Nick at Nite.

The song I couldn’t get out of my head was the theme song to I Dream of Jeannie. For some reason, this woman, showing her midriff was dancing like she knew 9-year-old boys everywhere were watching. This would end up being one of the two shows on Nick at Nite that I liked the least. If I have to compare it to something it’s probably The Office. You get the main character who loves what they do and go out of their way to try to help everybody, but just can’t get it right. Almost every problem that arose in IDoJ was due to the title Genie’s (get her name now?) love for her astronaut husband. Much like Michael Scott’s love for his Dunder-Mifflin crew. Tuesday’s gave me back to back episodes of this show and I was hooked. It COULD NOT get better than this.

WEDNESDAY – The Munsters. OMG. WHAT SOCIAL COMMENTARY! The monsters who lived in the LA suburbs were normal. That’s the show. It’s King of Queens if Kevin James had bolts in his neck and Jerry Stiller wore a cape and fangs. I loved every minute of it.

THURSDAY – Bewitched. My first celebrity crush was born. Elizabeth Montgomery was my everything for a few weeks. A modernish day comparison would be Everybody Loves Raymond. Ray and Susannah both live lives at home with their significant others and parent(s) don’t approve. There are also kids that don’t matter.

I was totally okay with her being a witch.

FRIDAY – No bedtime. Didn’t Matter. Newhart. I HAD TO SEE WHAT ELSE THEY HAD TO OFFER. One show gave me a half-naked lady dancing, one gave me a blue collar Frankenstein struggling to make ends meet, and one gave me my one true love. Friday ended up giving me the show that shaped my comedy tendencies forever. Newhart starred Bob Newhart as a Psychologist/Hotel Owner in Vermont. The show was a constant display of dry humor and wit delivered between the title character, his supportive but hilarious wife, and the hotel staff. I started watching and loving the sitcom Wings soon after which is essentially the same show. Also one of the greatest series finales in the history of T.V.

 

THE LONGEST WEEKEND OF MY LIFE

Which one of these is not like the other?

MONDAY – Lucy. Ricky. Little Ricky. Fred. Ethel. I would watch I Love Lucy forever if I could. It never got old. I’m not sure how. If any show used a recycled plot, it was I Love Lucy.

1. Lucy tries to get into a movie/T.V. show/stage production.

2.She ruins something during her attempt.

3. Ricky and/or Fred yell at Lucy and/or Ethel.

4. Ricky (not Fred, he’s a dick) tells Lucy it’s cool.

5. ANNNNNND scene.

And it worked. Every single time. I laughed till I cried. I even got my TV time extended on Monday’s to 11:00 because after back to back episodes of I Love Lucy I got the spinoff “The Luci/Desi Comedy Hour” from 10:00 to 11:00. IT’S A SEQUAL. They all move to the suburbs. Ricky and Fred seem tired and don’t appear that much, so, it’s just Lucy and Ethel messing up auditions and jobs and such…which is great.

A year or so later Nick at Nite started airing The Lucy Show and to say I was disappointed would be, well, accurate. Desi was the glue and Lucy was the paper. Who knew?

To make everybody feel as old as me the current Nick and Nite Lineup consists of Full House, The Fresh Prince of Bel-Air, Friends, and The George Lopez Show. All shows that were either airing new episodes in 1995, or failed to create characters anybody cared about.

Nick at Nite was responsible for my introduction to many classic sitcoms. The Dick Van Dyke Show, WKRP in Cincinnati, Rhoda, Welcome Back Kotter, and Laverne & Shirley to name a few, but it never matched that original lineup. I wrote a song about it to play for my piano teacher at the time.

On Mondays I get Lucille Ball
I get excited when Ethel calls

And on Tuesdays, Jeannie blinks
Will Tony survive the hijinks?

Wednesday Monsters come to life
The funniest Grandpa that’s alive

Thursday I become Bewitched (I vividly remember looking at Mr. Milton so I could see his eyes when I delivered this line, which was way ahead of its time)
Move your nose like there’s an itch (rhyming is hard when you’re 10)

Finish up with Newhart’s Inn
On Monday we’ll do it again.

He was not impressed.

Talkie Talk Ep. 8: Bill Paxton

Talkie Talk
Talkie Talk
Talkie Talk Ep. 8: Bill Paxton
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The eighth episode of The Media By Us pan-media podcast, Talkie Talk.

In this episode, we have Brent, Chris, TJ and David discuss their Watchlist/Playlist, talk about a board game (Code Names) before going into the main topic: the life and work of Bill Paxton, with general discussion as we go through his career on Rotten Tomatoes.

The direct podcast RSS feed is here. And please contact us through email, Facebook (movies, TV, games), and Twitter.

Intro
Homework Follow-up: Kung Fu Panda
Watchlist/Playlist:
Chris – Neighbors 2: Sorority Rising, Are You the One? Finale
TJ – Love, Logan, new previews
Brent – The Girl with the Dragon Tattoo, Upstream Color, Crimson Peak, Midnight in Paris, Antichrist, What We Do in the Shadows, Finding Dory, The Neon Demon, The Invitation
David – Chef, 10 Cloverfield Lane, Blue Ruin, Big Little Lies, Master of None, Playing: Uncharted 4 / Fallout 4
Table Top: Code Names (Board Game)
Main Topic: Bill Paxton
General Discussion: Dynasty Warriors, Cars, Ip Man, Primer, Lars Von Trier’s Depression Trilogy (Antichrist, Melancholia,
Nymphomaniac), Dogville, Binging with Babish, Twister, True Lies, Frailty, Aliens, Club Dread, , Navy SEALs, Vertical Limit, Mighty Joe Young, Weird Science, Million Dollar Arm, 2 Guns, Indian Summer, The
Hatfields & McCoys, U-571, Tombstone, Haywire, Big Love, Stripes, Near Dark, Titanic, A Simple Plan, Edge of Tomorrow, Nightcrawler, Apollo 13, One False Move, Aliens, Terminator
New Homework Assignment: I Am Big Bird (on Netflix)

Slight warning: Some mild language

(Intro courtesy of The Willow Walkers / Outro “Royal Entrance” courtesy of Visager through the Free Music Archive)

Music Seen: Miami Vice and Mogwai

MUSIC SEEN – remembering some of our favorite confluences of music in movies, television, video games, anything. Pairing the moving image with musical notes is a time honored craft – about which, we will clumsily say is pretty awesome and pretty cool.

“Auto Rock” (Mogwai) in Miami Vice (2006)

Why this movie? Why this song in this movie? Why now? So many questions.

Michael Mann re-made his 1980’s TV show in 2006 with Colin Farrell and Jamie Foxx, alongside an underrated supporting cast of pre-Moonlight Naomie Harris, pre-Leftovers Justin Theroux and an ahead-of-its-time visual aesthetic, both surrealistic and gritty. It’s not a perfect movie, by any estimation. But it does do some things very well. Take music for instance.

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Donkey Kong Jr. Math

8-Bit Halfwit is a series where Brent Blackwell, a longtime but not particularly skillful gamer, revisits NES games in order of their release. To see more in this series, click here.

(Source: Nintendo)

Details

Release Date: 10/18/1985
Genre: Edutainment / Platforming
GameFAQs rating: 2.40 / 5
GameFAQs difficulty level: Simple
GameFAQs length: 0.8 Hours
Background: From Wikipedia:

Since its release, Donkey Kong Jr. Math has received very negative reception; Nintendo spokesman Tom Sarris commented that it was not well received, resulting in Nintendo ceasing development of educational games for the time. It was noted as one of the worst launch video games ever made by publications such as Electronic Gaming Monthly and 1UP.com. It has also received criticism from several publications including IGN, who called it one of the worst Virtual Console games. The game was the worst-selling game in the NES’s launch library in the US.

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Talkie Talk Ep. 7: Reality Competition

Talkie Talk
Talkie Talk
Talkie Talk Ep. 7: Reality Competition
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The seventh episode of The Media By Us pan-media podcast, Talkie Talk.

In this episode, we have Brent, Chris and David (TJ is on assignment) discuss their Watchlist/Playlist before diving into Reality Competition shows to fill the media void (The Challenge, Are You the One?, Stranded with a Million Dollar, and Survivor).

The direct podcast RSS feed is here. And please contact us through email, Facebook (movies, TV, games), and Twitter.

Intro – Watchlist/Playlist:
Homework Follow-up: Swingers
DavidAll About Eve, Playing: Fallout: New Vegas
ChrisE.R., X-Men: Apocalypse, Logan
BrentThe Americans, The Bernie Mac Show, There Will Be Blood, Playing: Skyrim8-Bit Halfwit Teaser
Main Topic: Reality Competition TV
The Challenge, Are You the One?, Stranded with a Million Dollars, Survivor
New Homework Assignment: Kung Fu Panda (new to Netflix)

(Slight warning: Some mild language)

(Intro music – courtesy of Willow Walkers / Outro music – “Vagabond” courtesy of Jockers Dance Orchestra through the Free Music Archive)

Talkie Talk Ep. 6: Oscar Aftermath

Talkie Talk
Talkie Talk
Talkie Talk Ep. 6: Oscar Aftermath
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The sixth episode of The Media By Us pan-media podcast, Talkie Talk.

In this episode, we have Brent, Chris, TJ and David discuss their Watchlist/Playlist before diving headfirst into the 89th Academy Awards, going over the winners, the kerfuffle over the last award, and general overview discussions about what this year’s ceremony means going forward.

The direct podcast RSS feed is here. And please contact us through email, Facebook (movies, TV, games), and Twitter.

Continue reading “Talkie Talk Ep. 6: Oscar Aftermath”

And Then There Were Ten: 2008, The Indie Wildcard

And Then There Were Ten – in which our intrepid hero goes back and expands the Academy Award Best Picture nominations to ten nominations, and goes about filling those hypothetical slots. This time – it’s 2008. Check out previous entries here.

Chapter 5: Indie Movies in our Temples of Gloom (A Wildcard Throw-Down)

http://images.complex.com/complex/image/upload/c_limit,w_680/fl_lossy,pg_1,q_auto/fwdvtzdbme5pucjz6zoq.jpg
INDIE MOVIES… BEING SO…. INDIE. (image: Complex)

And it comes down to this.

The last magical slot for expanding nominations in 2008.

If the rest of the movies previously assigned to the extra Best Picture slots are playoff division winners (Box Office Division, Acting Division, Animated Division and Comedy Division), then this last slot is the wildcard play-in game.

Looking at guild support, all the usual suspects have already made it: Frost/Nixon, Milk, Slumdog Millionaire and Benji B all wrapped all four major guild nominations (Producer, Director, Ensemble Acting, Writing). The other two with more than one guild nominations are The Dark Knight (DGA, PGA, WGA) and Doubt (SAG, WGA) which made the extra slots as described in Chapter 1 and Chapter 2 of this speculative manifesto. All that’s left are the WGA nominees, but this guild is a poor predictor for nomination success (43% correlation of WGA nomination to Best Picture nomination). This leads us down an appropriate avenue – the wildcard movie in the wildcard slot.

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Talkie Talk Ep. 5: Video Game Movies… Movie Video Games

Talkie Talk
Talkie Talk
Talkie Talk Ep. 5: Video Game Movies... Movie Video Games
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The fifth episode of The Media By Us pan-media podcast, Talkie Talk.

In this episode, we have Brent, Chris, TJ and David discuss their Watchlist/Playlist, some news from Brent’s News Corner before going into video game movies… movies that remind us of video games… video game adaptations of movies… and everything in between: we discuss it all and have a Real or Fake quiz about video game properties.

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8-Bit Halfwit: Clu Clu Land

8-Bit Halfwit is a series where Brent Blackwell, a longtime but not particularly skillful gamer, revisits NES games in order of their release. To see more in this series, click here.

(By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=23598146)

Details

Release Date: October 18, 1985
Genre: Puzzle
GameFAQs rating: 3.21/5
GameFAQs difficulty level: Just Right
GameFAQs length: 4.5 hours
Background: From Wikipedia:

In Clu Clu Land, the player is a female balloonfish named Bubbles (グルッピー Guruppī?, Gloopy) who swims around in a maze trying to uncover all the golden Ingots.

Clu Clu Lands story starts with a type of sea urchin, the Unira, stealing all of the treasures in the underwater kingdom of Clu Clu Land. Bubbles, the heroine, sets out to retrieve the treasure. The object of the game is to uncover all the gold ingots in each stage while avoiding the Unira and Black Holes. Ingots usually form a shape such as a heart or a mushroom. The only way Bubbles can turn around to change directions is by means of Turning Posts located throughout the stages. Bubbles can stun the Unira by using a Sound Wave. When they are stunned, Bubbles can push them into a wall to get rid of them and receive points. If Bubbles is hurt by the Unira, she will lose a life. A life is also lost when Bubbles falls into a Black Hole, or when time runs out. The game ends if Bubbles has lost all her lives.

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Talkie Talk Ep. 4: Who Should Win

Talkie Talk
Talkie Talk
Talkie Talk Ep. 4: Who Should Win
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The fourth episode of The Media By Us pan-media podcast, Talkie Talk – a very special episode.

In this episode, we have Brent, Chris, TJ and David go through an extensive town-hall style debate to see which movies should win in every category of the 2017 Academy Awards. The winners… may surprise you. The discussion… just may save your life. After the jump, winners of the discussion are posted – so only click if you want to ruin the surprise.

Later in the week, we’ll go back to our normal format (Homework, Watchlist, Main Topic).

Continue reading “Talkie Talk Ep. 4: Who Should Win”