Talk of Fame Inaugural Class #1: It’s a Wonderful Life (1947)

Talkie Talk
Talkie Talk
Talk of Fame Inaugural Class #1: It's a Wonderful Life (1947)
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Launching a series of mini-podcasts where we induct an “inaugural class” – we each picked five films to be in the Talk of Fame (our Hall of Fame for movies). It’s hard to debate whether The Matrix is the best movie of all time, so we’re populating our trophy case. First up, TJ talks about his pick, It’s a Wonderful Life, in time for Christmas and for you to turn your life around.

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Talk of Fame Inductee: It’s a Wonderful Life (1:19)
Next Inaugural Inductee: Fargo (16:25)

Warning: Some mild language. Some language is picante.

Talkie Talk #64: The Watchlist / Lady Bird / Three Billboards / Columbus – 12/13

Talkie Talk
Talkie Talk
Talkie Talk #64: The Watchlist / Lady Bird / Three Billboards / Columbus - 12/13
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Back in the saddle again – everyone (but Brent) has a lengthy watchlist from the long hiatus (where at least everyone was sick at some point), and we hit it all! Except Breezy – we went too long, so we’ll have news next week. Santa is real. Santa Buddies are not.

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The Watchlist (1:24)
TJ: Indiana Jones Series (1:46), The Dark Knight Trilogy (2:07), Star Wars Entire Series (2:46), The Force Awakens (3:27), Jim & Andy: The Great Beyond (6:36), Little Evil (6:54), A Dog’s Purpose (7:18), Santa Buddies (8:15), A Christmas Prince (11:12), A Cure for Wellness (12:54), Fist Fight (14:03), CHiPS (14:48), Cars 3 (16:27), Lady Bird (19:05), Three Billboards Outside Ebbing, Missouri (20:39)
David: Top Chef (22:31), Guardians of the Galaxy Vol. 2 (25:21), Landline (28:05), Columbus (29:19), Miracle on 34th Street (33:32)
Chris: Antonio Banderas duo Black Butterfly and Security (35:56), The Boss Baby (36:05), Geostorm (36:34), Pirates of the Caribbean: Dead Men Tell No Tales (36:53), The Emoji Movie (37:12), Atomic Blonde (40:34), Wind River (40:51), Mudbound (41:33), Nathan for You: Finding Frances (42:51), Naked (43:27), Stronger (44:00), Megan Leavey (45:38), Bushwick (48:00), The Bad Batch (50:10), Sleight (52:50), The Dinner (53:51), Coco (56:50), The Room (59:03)
Brent: Personal Shopper (1:06:43), Quick takes on Spider-Man: Homecoming, Thor:Ragnarok, Valerian (1:10:01)
(Quick) Reality Roundup: Survivor (1:10:15), Are You the One? Finale (1:10:47), The Challenge: Champs vs Stars (1:11:58)
Best Bet this Weekend: Come on… it’s The Last Jedi (1:14:01)

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa 

State of the Race: The Golden Globes

Let’s paint a picture. It’s 2010, and you’re the Hollywood Foreign Press – you represent less than one hundred total critics throughout the globe and you’re throwing a party for movies and television in January. You’ve hosted a series of schmooze-fests where actors, directors and producers are laughing at all your jokes and taking the 2010-version of selfies with you. You feel pretty cool. Who should come to your party? You’re looking at the Comedy or Musical category you have at your party, and you’re thinking… how cool would it be if both Johnny Depp and Angelina Jolie came?

To do so, you nominate The Tourist (a horrible 20% on Rotten Tomatoes), a globe-trotting non-comedy for Best Comedy or Musical, Depp for Best Comedic Actor, and Jolie for Best Comedic Actress. This is something you do, because your party is the Golden Globes and nothing matters.

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State of the Race: National Board of Review

What is the National Board of Review? Wikipedia tells us that this is an organization, starting in 1908, made up of critics, film enthusiasts, academics, and filmmakers in the New York Metropolitan area. Despite having “National” in name, the Board is rather regional and has only about 100 members cast ballots for nominees and winners in various categories. So… in terms of overlap to what the Academy does, it’s limited, and shows more correlation than causation. The main point, in terms of the Oscar race, is that the NBR is the first critical body to announce its annual awards. And it’s always fun to have news.

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Talkie Talk #63: The Watchlist / Valerian / Wind River / Justice League / Survivor / News – 11/22

Talkie Talk
Talkie Talk
Talkie Talk #63: The Watchlist / Valerian / Wind River / Justice League / Survivor / News - 11/22
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The cool guy trio of Chris, Brent and TJ talk extensively about their Watchlists (includes talk about the disappointment of Valerian, the surprising Wind River, and the lifeless husk of Justice League, amidst many more!), Reality Roundup (Survivor suicide pool claims another life), and then dip into  Breezy on the Streets (week’s news in film, TV and games).

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> Contact: email, Facebook (movies, TV, games), and Twitter!
> Check out The Media By Us Facebook Page too!
> Review us on iTunes, Google Play, or anywhere!

The Watchlist (1:06)
Chris: Smurfs: The Lost Village (2:02), Burning Sands (5:28), Jim & Andy: The Great Beyond (10:15), The LEGO Batman Movie (16:52), Master Chef (21:37), Shot Caller (21:55), The Punisher (21:30), Valerian and the City of a Thousand Planets (23:15)
TJ: Murder on the Orient Express (31:34), Chappie (35:08), Atomic Blonde (39:02), Wind River (42:36)
Brent: Bounce (49:57), The Sum of All Fears (51:50), Paycheck (53:50), Jersey Girl (55:55), Clerks 2 (57:40), Man about Town (58:06), Justice League (1:01:14)
Reality Roundup: Survivor (1:04:30), The Challenge (1:08:00)
Breezy on the Streets (1:08:24)
1:08:30 – Number Nine (Tarantino Manson movie with Tom Cruise) coming to Sony
1:09:20 – CBS coming out with Stripes TV show – you’re welcome
1:09:44 – Al Franken accused of sexual misconduct
1:10:05 – Amazon Prime’s new Lord of the Rings show
1:11:08 – EA hates its players, gives them punishing micro-transaction system in Star Wars: Battlefront II
1:15:05 – Despicable Me studio to make new Super Mario animated movie
1:16:08 – Best Bet this Weekend: Coco or Roman J. Israel, Esquire

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa 

Justice League (2017)

Now in theaters
Director: Zack Snyder
Starring: Ben Affleck, Henry Cavill, Amy Adams, Gal Gadot, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Diane Lane, Connie Nielsen, J.K. Simmons

There’s a notion in sports that momentum can breed success. Many fans and analysts believe that scoring a TD on one drive makes you more likely to score on the next. The baseball team that scored in the 7th and 8th innings will be more likely to score in the 9th. Research, on the other hand, suggests that sequencing, or momentum, doesn’t really play a big predictive role in the events that come next. Momentum can’t carry you to victory if you don’t execute. It’s a hard lesson, and Justice League reinforces it.

Batman vs. Superman: Dawn of Justice was, more or less, a 2 hour, 30 minute preview for Justice League. It lacked much of a story, and served more to just plant seeds for DC’s ultimate stab at Avengers money. Needless to say, there is a lot of pressure on Justice League to hit the mark and not spoil the good momentum created by Patty Jenkins’ excellent Wonder Woman. And while DC’s latest offering isn’t its worst, and certainly has some nice elements and moments, it is assuredly a step in the wrong direction. Wonder Woman fittingly came out in Spring, bringing life and optimism to the DC Extended Universe. Justice League is, conversely, the bleak realism of autumn, a cold reminder of the issues that come with Zack Snyder films.

I wasn’t kidding when I said some things work, and let’s start with those. First and foremost, Jason Momoa is an excellent choice for Snyder’s version of Aquaman. It seems like a bold choice, given how he’s so physically different from the comic book version, but you get the feeling that Snyder and Warner Bros simply wanted their own Thor, because nothing about Justice League is original or inspired, so how could this be? That said, Momoa clearly has fun in the role, and I had a lot of fun watching him. He brings charisma to the film; if Thor had Tony Stark’s wit and zest for alcohol, he’d be Momoa’s Aquaman. More than any other character in the film, Aquaman seems like an actual superhero. When he’s on film, you’re reminded of Snyder’s biggest strength as a director – creating lasting images that stick with you. I don’t know how Aquaman will fare as the centerpiece of his own movie, but in the group setting, he works.

Ezra Miller has fun as The Flash, and there are moments that work, but other jokes written for him just fall flat – there’s a pause after a joke about brunch that clearly indicates the filmmakers expect some big laughs, but they miscalculated. Still, Miller is a solid Barry Allen. He’s an excellent actor, and while chops don’t exactly go on display here, like Momoa he’s charismatic. Unfortunately, Snyder’s depiction of The Flash is too obviously an amalgamation of successful Marvel big screen characters. The quippy teenager comes off as a little too Spider-Man-esque, and there’s a scene that owes so much to Quicksilver in X-Men: Days of Future Past, I was actually surprised Jim Croce’s “Time in a Bottle” didn’t start blaring.

Continuing with our tour through the heroes, Wonder Woman (Gal Gadot) is fine, but after a good scene where she foils a robbery, there isn’t too much for her to do for the rest of the film. I’m a huge fan of Gadot’s work in that role, and I think she does as much as she can here. Her role in Justice League mostly just asks her to look sexy and take her turn on the punch/get punched ride whenever it comes up. She succeeds with these tasks, but as you watch her, you just feel bad, because her characterization feels reductionist after her starring role earlier this year.

Batman (Ben Affleck) is the DCEU’s Nick Fury, banding these heroes together. Affleck is, in my opinion, a great casting choice for Bruce Wayne, and Wayne (as opposed to his masked alter ego) gets plenty of time here. Unfortunately, this film’s Batman is joyless, with Wayne mopey and dire all the time, presumably over his responsibility in getting Superman killed in their last film. I get that that’s Batman’s default mode anyway, but we usually get to see glimmers of passion, and Snyder’s having none of it. I’m disappointed Affleck won’t be making a standalone Batman film because, with the right director and script, I think he could be great. He does his best here, but again, the script and story is just impassable.

Finally, we have Cyborg (Ray Fisher), a genius football player who would be dead if not for the procedure that made him part-metal and gave him the ability to fly and do other neat things. He’s the Iron Man here, except the mischievous personality has been given to Aquaman, and the limos and lifestyle to Batman. That leaves Cyborg as something of an empty suit, as interesting as War Machine, which is no one’s favorite Marvel character. I don’t think it’s Fisher’s fault that Cyborg is so boring, as I can’t see any actor making this character interesting.

There are more returning characters from past DCEU films, and these actors, all well-proven talents, mostly just pop in long enough to deliver some bad lines and collect their paycheck. I hope Amy Adams’ new car can help her escape the memory of having to say dumb things. If this gives JK Simmons enough financial stability to go make another Whiplash, maybe this was all worth the trouble.

Jason Momoa in Justice League (Warner Bros.)

 

As for the story, this is totally nothing like The Avengers. This movie’s MacGuffin is a collection of 3 magic cubes filled with unlimited power. The Avengers, you see, only had one. This film’s big bad is a being from another dimension, wears a horned helm, and unleashes a horde of flying, faceless enemies via a light beam that goes straight up into the sky. The Avengers had their faceless horde ride flying machines instead of fly on their own, so it’s completely different.

Justice League is ultimately a mess of a movie that’s way less than the sum of its parts. When I think individually about the characters, it shouldn’t be that bad. Batman, Wonder Woman, Flash, and particlarly Aquaman are all well cast, fairly well acted, and mostly fun to watch.  But the story, of world-destroyer Steppenwolf (voiced convincingly by the always-excellent Ciaran Hinds) looking for his 3 lost cubes of power, and its accompanying script are so phoned-in you just have a hard time caring. At one point, Cyborg emphatically says, “Boo-yah” like a badass, which might be the case if this movie came out in 2003. The script is filled with eyeroll-worthy moments like that.

Having aired all those grievances, I still think Justice Squad might be the 2nd best DCEU film. It isn’t as poorly done as Suicide Squad, it isn’t as boring as Man of Steel, and it isn’t merely an insulting preamble like BvS:DoJ. Unfortunately, it is a quick end to the DCEU’s creative momentum, and that’s disappointing. But remember, momentum clearly doesn’t mean too much, so maybe that’s some consolation for 2018’s Aquaman and the future of the so-far uneven DC Expanded Universe.

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Talkie Talk #62: Good Morning, Vietnam / The Films of Robin Williams

Talkie Talk
Talkie Talk
Talkie Talk #62: Good Morning, Vietnam / The Films of Robin Williams
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Goooooooooood morninnnnnnnnnng, Talkie Talk! Today we’re talking about Good Morning, Vietnam, an interesting war movie – and then talking about Robin Williams in general – an actor integral to the films of our childhoods. Spoiler alert – Flubber is snubbed.

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Homework Assignment: Good Morning, Vietnam (1:20)
Main Topic: Robin Williams (16:55)
Introducing: Instant Talk of Fame, inducting a baseline of films without a vote: First, It’s a Wonderful Life (40:15)
New Homework Assignment: Into the Wild (Amazon Prime) (43:43)

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa

Thor: Ragnarok (2017)

Now in Theaters
Director: Taika Waititi
Starring: Chris Hemsworth, Cate Blanchett, and Tom Hiddleston

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