Talkie Talk #79: Watchlist / Call Me By Your Name / Coco / Cloverfield Paradox / News – 2/14

Talkie Talk
Talkie Talk
Talkie Talk #79: Watchlist / Call Me By Your Name / Coco / Cloverfield Paradox / News - 2/14
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We discuss what we’ve been watching and playing in the last week (Watchlists!) – and we discuss the week’s biggest film / TV / video game news (Breezy on the Street!). And somehow, while debating the merits of original Netflix movies, we talk about “Dog the Bounty Hunter.” It’s a crazy world.

> Direct podcast RSS feed: here! 
> Contact: email, Facebook (movies, TV, games), and Twitter!
> Check out The Media By Us Facebook Page too!
> Review us on iTunes, Google Play, or anywhere! 

The Watchlist (0:49)
TJ: Quiz Show (1:04), Pottersville (1:44), Call Me by Your Name (5:54), Playing Hearthstone (15:57)
Brent: Coco (17:00)
Chris: Playing Celeste (25:03)
David: Three Billboards (28:36), The Cloverfield Paradox (29:21)
Breezy on the Streets (40:34)
40:52 – Trailer Roundup (Solo, Mission Impossible: Fallout)
43:30 – David Benioff and D.B. Weiss making new Star Wars trilogy
44:39 – Viacom (MTV, Comedy Central, etc.) streaming app to launch
45:06 –  RIP John Gavin, Reg. E. Cathey, John Mahoney
45:46 – George R.R. Martin confirms only seven GoT books
46:30 – Timeframe and episode count revealed for Stranger Things 3 
47:03 – Best Bet this Weekend: Black Panther, a-doy

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa 

Talkie Talk #78: Brawl in Cell Block 99 / Against Type

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Talkie Talk
Talkie Talk #78: Brawl in Cell Block 99 / Against Type
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Load up on ice and gauze, because we’re talking about the violent Brawl in Cell Block 99. Vince Vaughn is a non-comedic bruiser in that movie, which gets us talking about Going Against Type – when comedians try drama (and vice versa), when heroes play villains (and vice versa), and when directors make out-of-left-field project choices.

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Homework Assignment: Brawl in Cell Block 99 (1:00)
Main Topic: Going Against Type (20:15)
New Homework Assignment: Jungle (Amazon… fittingly) (1:01:55)

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa

The Cloverfield Paradox (2018)

Now available on Netflix
Directed by: Julius Onah

Starring: Gugu Mbatha-Raw, Daniel Brühl, David Oyelowo, Chris O’Dowd, Zhang Ziyi, Elizabeth Debicki

What is a Cloverfield movie? What is the connective tissue running through these Bad Robot produced properties? What makes an idea “Cloverfieldian”? The biggest question of all – does J.J. Abrams and the guiding production forces know anymore? Long story short, I’m not sure it matters. What matters is that Paramount didn’t think much of this, and sold it off to Netflix.

Netflix finally did it. In control of a massive streaming infrastructure, Netflix released 56 movies last year – most of which were released with minimal fanfare. In possession of the Spotify or Tidal of movies, they made waves on Super Bowl Sunday with a multi-million dollar ad, promising that a new Sci-Fi movie with Gugu Mbatha-Raw was coming out. And then they pulled a full Beyonce, and surprise-released the film, and it was immediately available. It’s a seismic chess move – one that created premiere-like excitement and mass-internet conversation with the original movie. No matter what, it’s a win for the format and a win for non-theater-goers.

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“Is that a Cloverfield out there?” (image: imdb)

The movie has two strands running artlessly through it. In one, Hamilton (Mbatha-Raw) and her husband Michael are stuck in a gas-shortage line, while the radio gives a backstory of worldwide food and energy crisis. Hamilton decides to volunteer for a mission that puts her in a space station for over a year, and Michael just stays and does Michael stuff, which include being a doctor and rescuing someone from a hospital and then staying safe – that’s it. The Michael stuff on Earth is rough. And it was pasted onto the movie after the fact, and has all the Cloverfield touches on it.

The more interesting part is what happens to Hamilton when she gets to the space station. There’s a clever montage to start where the one-year expectation gets stretched to many, many years. We meet the international crew, and they’re the biggest strength of the movie. The crew is in place to fire up a particle accelerator to find an infinite energy source, to help stave off the threat of a world war for the scarce resources on earth – they do so in space, because there is the potential to end existence. Chekhov’s particle accelerator.

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The Gang saves the day… Or do they? (image: imdb)

Hamilton is joined here by the American leader Kiel (Oyelowo), German chief engineer Schmidt (Bruhl), Brazilian doctor Acosta (John Ortiz), Irish interstellar scamp Mundy (O’Dowd), Chinese scientist (or engineer? Or mechanic?) Tam (Ziyi) and instantly suspicious Russian person Volkov (Aksel Hennie). It’s not that clear what everybody does, but they all have an interesting, lived-in dynamic as a team – the viewer is dropped in the middle of their relationships, which is nice. Chris O’Dowd is particularly fun (although he’s clearly in another movie) and everybody is generally very good. Then, Chekhov’s particle accelerator sets off and things get kooky. I won’t reveal all the hi-jinx, but suffice to say that interdimensional travel is involved.

The weirdest part of the kookiness is the nature of the differences they start to notice. Basically, the multiverse is like an omni-powerful Kevin McAllister, and the crew of the Shepherd (yes, the ship is called that) are the Wet Bandits. The multiverse is being pretty obvious that it wants these guys out of its alternate dimension, and unfortunately all the dimensional pranks play the same note over and over. There are some interesting spooks and some flair to the spectacle, but bear in mind that this was a small movie before Paramount retrofitted it with a Cloverfield skin.

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This picture won’t change. What am I saying? It’s a picture, of course it won’t change. (image: imdb)

Young director Julius Onah has some fun things in the movie, especially with the production design in the ship, but in the end, you won’t remember this movie – I’ll straight up promise you that. The Cloverfielding of this movie is super clunky (the ending is the most massive scale eye-roll of the decade), but the Chekhov’s Accelerator part is not enough of a movie to stand on its own either. Cloverfield itself was a phenomenon in 2008, and rightly so – the first trailer was so arresting with the Statue of Liberty head bouncing down the street and cutting to no title, but a date. A better retrofit for the franchise was 10 Cloverfield Lane, which is clearly a seperate movie that wears the ending Cloverfield tangent suitably enough (though the best part of the movie clearly is the original part, when it was called Valencia). And here we are ten years later with another one. I have to imagine that timing is no coincidence, since the last anyone heard of this original movie (called The God Particle), it still needed work. It kind of still does. I’ll be more excited for a Cloverfield movie that was Cloverfielded from conception, rather than from opportunity.

In the end, the movie is nothing new or that interesting. If you liked Event Horizon, this is that, but it’s now. If you like your Event Horizon movies now-er than 1997, then you’re in luck, because this movie came out in 2018, which is as now as it gets. The now-est, in fact. And now, it’s got a Slusho reference and a Bad Robot credit.

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You think this is from Event Horizon, but it’s not (image: imdb)

Is it Watchlist-Worthy? Not really – only for Cloverfieldian completionists.

Talkie Talk #77: The Watchlist / The Square / War for the Planet of the Apes / News – 2/7

Talkie Talk
Talkie Talk
Talkie Talk #77: The Watchlist / The Square / War for the Planet of the Apes / News - 2/7
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We discuss what we’ve been watching and playing in the last week (Watchlists!) – and we discuss the week’s biggest film / TV / video game news (Breezy on the Street!).

> Direct podcast RSS feed: here! 
> Contact: email, Facebook (movies, TV, games), and Twitter!
> Check out The Media By Us Facebook Page too!
> Review us on iTunes, Google Play, or anywhere! 

The Watchlist (1:05)
David: Kong: Skull Island (1:15), The Boss Baby (4:27), The Square (5:51)
TJ: The Summit (16:00), The Last Men in Aleppo (17:44), War for the Planet of the Apes (19:56), Blade Runner 2049 (25:18), The Breadwinner (29:03), Heaven is a Traffic Jam on the 405 (32:35), Strong Island (33:56)
Brent: Starting Mad Men (41:53), Playing Madden (42:17) 
Chris: Congratulations on watching over a hundred 2017 movies! Icarus and Abacus (42:41), Loving Vincent (46:44), Victoria & Abdul (52:12), Playing Breath of the Wild (55:09)
Breezy on the Streets (56:00)
56:18 – Tom Hanks will be Mr. Rogers in upcoming biopic
56:45 – Guild Update: Annie (Animation) and Directors Guild winners
59:38 – Solo: A Star Wars Story Mission: Impossible Fallout trailer previews
1:00:55 – Special Super Bowl Halftime HQ trivia ($20,000)
1:01:14 – Red Dead Redemption 2 release date announced
1:03:42 – Best Bet this WeekendPeter Rabbit, 15:17 to Paris, Fifty Shades Freed (if you’re feeling masochistic)

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa 

Talkie Talk #76: Talk of Fame – Beetlejuice (1988)

Talkie Talk
Talkie Talk
Talkie Talk #76: Talk of Fame - Beetlejuice (1988)
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It’s showtime! Let’s turn on the juice and see what shakes loose as we put Beetlejuice through the gauntlet of The Talk of Fame.

> Direct podcast RSS feed: here! 
> Contact: email, Facebook (movies, TV, games), and Twitter!
> Check out The Media By Us Facebook Page too!
> Review us on iTunes, Google Play, or anywhere!

Homework/Main Topic: Beetlejuice Talk of Fame (1:25)
New Homework: Brawl in Cell Block 99 (Amazon) (58:26)

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa

Talkie Talk #75: Watchlist / Molly’s Game / Oscar Nom Reactions – 2/1

Talkie Talk
Talkie Talk
Talkie Talk #75: Watchlist / Molly's Game / Oscar Nom Reactions - 2/1
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We discuss what we’ve been watching and playing in the last week (Watchlists!) – and we discuss the week’s biggest film news – reactions to the 90th Academy Award nominations! Punctuation!

> Direct podcast RSS feed: here! 
> Contact: email, Facebook (movies, TV, games), and Twitter!
> Check out The Media By Us Facebook Page too!
> Review us on iTunes, Google Play, or anywhere! 

The Watchlist (1:00)
Chris: Logan (1:09)Playing Super Mario Odyssey/Breath of the Wild (1:14), HQ (1:29), Top Chef  (4:22), The Challenge: Vendettas (6:47)
David: Paddington (9:27), A Futile & Stupid Gesture (10:54), Beauty and the Beast (12:53), Strong Island (16:05), Icarus (17:29), Abacus: Small Enough to Jail (20:58), The Magicians (23:56)
Brent: Zach Morris is Trash (25:38), Playing Uncharted 3 (26:47) 
TJ: Playing Framed 2 (26:58)Watching The Skeleton Twins (28:09), No Escape (28:41), What Happened to Monday (29:12), Loving Vincent (29:42), Phantom Thread (31:38), Molly’s Game (33:34), [the Vanity Fair Oscar cover 34:33]
Breezy on the Streets (39:28)
39:41 – Guild Results: Editing, Art Direction and Visual Effects winners
42:11 – Sundance Film Festival 2018
43:51 – Oscar Nomination Reactions
1:08:53 – Best Bet this WeekendWinchester

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa 

Talkie Talk #74: The Polka King / Biopic Games

Talkie Talk
Talkie Talk
Talkie Talk #74: The Polka King / Biopic Games
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Strike up the polka, the band is in town, it’s The Polka King, based on the real life Jan Lewan. We use that film to talk about Biopics, and have fun doing our little quizzes! It’s a blast.

> Direct podcast RSS feed: here! 
> Contact: email, Facebook (movies, TV, games), and Twitter!
> Check out The Media By Us Facebook Page too!
> Review us on iTunes, Google Play, or anywhere!

Homework Assignment: The Polka King (1:00)
Main Topic: Biopics Quizzes (14:23)
New Homework Assignment: Talk of Fame consideration Beetlejuice (Crackle) (38:09)

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa

Talkie Talk #73: Watchlist / News – 1/24

Talkie Talk
Talkie Talk
Talkie Talk #73: Watchlist / News - 1/24
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Back to normal, which is great! We discuss our watchlists from the previous two weeks, and then the week’s news.

> Direct podcast RSS feed: here! 
> Contact: email, Facebook (movies, TV, games), and Twitter!
> Check out The Media By Us Facebook Page too!
> Review us on iTunes, Google Play, or anywhere! 

The Watchlist (1:00)
TJ: Dunkirk (1:08)The Post (1:36), Battle of the Sexes (4:48), Killing of a Sacred Deer (6:05), Mudbound (10:09), The Travelers (12:42)
Brent: A Ghost Story (15:08), The Game (16:36), Donnie Brasco (16:59), Terror in Beverly Hills (18:19), Drunk, Stoned, Brilliant, Dead: The Story of the National Lampoon (22:02)
Chris: Planet of Dinosaurs (23:31)Wonder Wheel (24:36), Bright (29:18), Justice League (32:15), I Tonya (39:13), Rough Night (40:51), The Shape of Water (43:28), Playing Breath of the Wild (45:58), Snipperclips (46:22), Top Chef (47:58)
David: Mr. Roosevelt (51:37), Blade Runner 2049 (53:19), Comedians in Cars Getting Coffee (53:59), The Assassination of Gianni Versace (57:00)
Breezy on the Streets (59:11)
59:26 – Secret Crocodile Dundee movie coming out?
1:01:22 – Paddington 2 – the best movie of all time?
1:02:36 – Scarlett Johansson’s salary on Black Widow
1:04:59 – Nintendo Switch cardboard accessories

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa 

Milestone Markers: The 90th Academy Awards Factoid Roundup

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Rachel Morrison, D.P. for Mudbound (image: Indiewire)

Rachel Morrison goes from being the first female cinematographer nominated in the American Society of Cinematographers, to the first female nominated for Best Cinematography Oscar in Mudbound.

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Dee Rees and Blige in Mudbound (image: HuffPo)

Dee Rees is the second African American woman nominated for Best Screenplay for her directorial achievement Mudbound – first since Suzanne De Passe for 1972’s Lady Sings the Blues. 

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Jordan Peele, director for Get Out (image: CNN)

Jordan Peele has a bunch of stats – only the fifth African American nominated for Best Director (John Singleton, Lee Daniels, Steve McQueen, Barry Jenkins) – and also, only the 3rd to be nominated for Writing, Directing and Producing in his debut (after James L. Brooks, Terms of Endearment, and Warren Beatty, Heaven Can Wait).

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Greta Gerwig and Ronan in Lady Bird (image: LA Times)

Greta Gerwig is the fifth woman ever nominated for Best Director, following Lina Wertmuller (1976 – Seven Beauties), Jane Campion (1991 – The Piano), Sofia Coppola (2003 – Lost in Translation), and Kathryn Bigelow (2009 – The Hurt Locker).

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John Williams – the legend (image: CB)

With the score from Star Wars: The Last Jedi, John Williams now has fifty-one (51) nominations in Best Score and Best Song combined. To put that in context (which is impossible), if you take every nominated actor/actress this year and add up all their lifetime nominations (and subtract Streep for being Streep) – you’d only have 49 nominations across 19 people.

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The Last Jedi (image: The Verge)

Speaking of The Last Jedi, with the four (4) nominations this year (Score, Sound Mixing/Editing, Visual Effects), every Star Wars film ever released has been nominated for at least one Oscar – Episode I-3, II-1, III-1, IV-10, V-3, VI-4, VII-5, RO-2, VIII-4. Total of 33 Oscar nominations – I would wager this is more than the Star Trek franchise has.

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Phantom Thread (image: Rolling Stone)

Phantom Thread only had one precursor guild nomination prior to getting to Best Picture: The Costume Designers Guild (CDG), which nominates fifteen (15) films per year. Compare to The Shape of Water and Dunkirk which had nine (9) guild nominations before Best Picture.

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Frances McDormand (image: Independent UK)

There are two nominees this year who are already Triple Crown of Acting winners (acting Tony, Emmy, Oscar) – Christopher Plummer (Tonys for Cyrano and Barrymore, Emmys for The Moneychangers and Madeline, Oscar for Beginners) and Frances McDormand (Tony for Good People, Emmy for Olive Kitteridge, Oscar for Fargo).

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Christopher Plummer (image: IndieWire)

Christopher Plummer – already the oldest acting winner for 2011’s Beginners – is now the oldest acting nominees in an acting category at 88 years old and second oldest ever nominee in any category for Best Supporting Actor in All the Money in the World

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Agnes Varda (image: Documentary.org)

… Second only to documentation Agnes Varda, who, at 89, is getting a Lifetime Achievement Award Oscar and is nominated for Best Documentary (Faces Places).

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Timothee Chalamet (image: Metro)

Timothee Chalamet, for Call Me By Your Name, is now the youngest Best Actor nominee since Mickey Rooney in 1939 (Babes in Arms). They invented acting in 1938, so that’s something.

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Woody Harrelson (image: Boston Herald)

With Rockwell and Harrelson both nominated for Supporting Actor for Three Billboards, this is the first time since 1991 (Bugsy – Keitel and Kingsley) since two actors were nominated for the same film in Supporting Actor. This has happened 10 times in Supporting Actress since then.

https://static01.nyt.com/images/2017/10/30/watching/mudbound-watching/30watching-slide-51DV-master768.jpgBlige in Mudbound (image: NYT)

Mary J. Blige is not only nominated in her acting debut (Mudbound), but is also the only Supporting Actress nominee in history to be also nominated for Best Song in the same year (Mighty River”).

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Spencer in Shape of Water (image: Channel24)

With this year’s nom, Octavia Spencer now ties Viola Davis as the most nominated African American woman in Academy history. It seems crazy that it only took three (3) nominations to do so.

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Betty Gabriel in Get Out (image: IMDb)

Get Out is the first February release to be nominated for best picture since Silence of the Lambs in 1991.

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Logan (image: IMDb)

Logan becomes the first comic book movie since 1931’s Skippy (a comic strip adaptation) to be nominated for its screenplay. Other comic films nominated by the Writers Guild of America (WGA) but not the Academy include Deadpool (2016), Guardians of the Galaxy (2014), and The Dark Knight (2008)

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Strong Island (image: Netflix)

Best Documentary nominee Strong Island‘s director Yance Ford is openly transgender – only the third transgender person ever to be nominated, and the first ever transgender director in any medium – other two nominees were in best song score (Angela Morley, The Slipper and the Rose and The Little Prince) and best song (ANOHNI, from Racing Extinction).

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The Insult (image: IMDb)

In Foreign Language, The Insult becomes the first Lebanese movie nominated for Best Foreign Language Film.

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Shape of Water director Del Toro (image: IMDb)

The Three Amigos of Mexican Cinema are now all nominated for best director – Guillermo Del Toro (The Shape of Water) joins his brothers-in-arms Alfonso Cuaron (Gravity) and Alejandro González Iñárritu (Birdman and The Revenant), and is also a favorite to win.

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Meryl being Meryl (image: IMDb)

Four of the five Best Actress nominees also represent Best Picture films (Three Billboards, The Post, The Shape of Water, Lady Bird compared to last year, with only one nomination representing a Best Picture (La La Land).

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Kobe Bryant, with the Dear Basketball animated short, is the first professional basketball player to be nominated for an Oscar. LeBron James hears this, and adds a goal to his goal-adding-app.

Great milestones in all, but… Number of minority actors nominated decreases from seven (7) in 2017 to four (4) in 2018. Bummer.

Talkie Talk #72: 90th Academy Awards Nomination Predictions

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Talkie Talk
Talkie Talk #72: 90th Academy Awards Nomination Predictions
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Another VSP – Very Special Podcast. January 23rd – the day the 90th Academy Award Nominations come out. Here at The Media By Us, we’re doing our predictions for every category – somehow, one of us is going to be the most accurate and will have all the kudos. Anyway, it’s fun again to talk about the movies of 2017.

> Direct podcast RSS feed: here! 
> Contact: email, Facebook (movies, TV, games), and Twitter!
> Check out The Media By Us Facebook Page too!
> Review us on iTunes, Google Play, or anywhere!

Main Topic: Oscar Nomination Predictions (1:07)
Live Action Short (2:30)
Documentary Short (4:13)
Animated Short (6:38)
Foreign Language Film (8:35)
Documentary Feature (10:25)
Animated Feature (12:52)
Visual Effects (15:50)
Sound Mixing/Editing (18:26)
Original Song (21:13)
Original Score (23:53)
Production Design (26:18)
Makeup & Hairstyling (28:00)
Film Editing (31:02)
Costume Design (32:11)
Cinematography (35:17)
Original Screenplay (38:50)
Adapted Screenplay (41:30)
Supporting Actor (44:08)
Supporting Actress (47:24)
Lead Actor (49:06)
Lead Actress (53:13)
Director (55:09)
Best Picture (58:16)
Homework Assignment: The Polka King (Netflix)

Warning: Some mild language. Some language is picante.

> Intro theme courtesy of The Willow Walkers
> Outro song “Extemporaneous  Birth” courtesy of Boo Reefa